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| ¿ÕÁ¾Çõ (¾ÆÀ̵ð nahrah1) |
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±â»Û ¿ôÀ½À» µå¸³´Ï´Ù.
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| 1. W. J. B. OwenÀÇ Lyrical Ballads ¼¹® ÇØ¼³
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| 1798³â¿¡ ¡º¼Á¤´ã½ÃÁý¡»ÀÌ ÃâÇöÇÏ°Ô µÈ ¹è°æÀº µÎ ÀÛ°¡ ¿öÁî¿ö½º¿Í Äڿ︮ÁöÀÇ ¸¸¼ºÀûÀÎ ºó°ï ¶§¹®À¸·Î ÃßÁ¤µÈ´Ù. ¿öÁî¿ö½º´Â 1843³â ½Ã ¡°We are Seven"¿¡ ´ëÇÑ Ã¢ÀÛ³ëÆ®(I. F., ÀÌÀúº§·¯ ÆæÀ¨ ³ëÆ®)¿¡¼ ´ÙÀ½°ú °°ÀÌ ¸»Çß´Ù: ¡±1798³â º½¿¡ Äڿ︮Áö, ³ªÀÇ ´©À̵¿»ý ±×¸®°í ³ª .. | |||
| ÅÂ±× : ´ëÇÑ, ÆíÁý, ¼Æò, °èȹ, ´ëÇØ | |||
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| 2. ÀüÀÚ»ó°Å·¡(E-Commerce)¿Í E-Biz
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| 3. ¸ð¹ÙÀÏÇõ¸í µðÁöÅÐÇõ¸í¿¡ ºÎ°¡µÇ´Â 21¼¼±âÀÇ Á¦ 2 ÀÇ Çõ¸íÀº ¸ð¹ÙÀÏÇõ¸íÀÌ´Ù. 21¼¼±âÃÊ¿¡ À¯¿£(UNCTAD)ÀÌ ÀüÀÚ»ó°Å·¡°¡ ¼¼°è¹«¿ªÀÇ 10% ³»Áö 25%¸¦ Â÷ÁöÇÒ °ÍÀ̶ó°í ¿¹ÃøÇß´ø ´ë·Î, ÀüÀÚ»ó°Å·¡´Â ÀÎÅÍ³Ý ±â¹Ý½Ã¼³ÀÌ È®ÃæµÇ¸é¼ º»°ÝÀûÀÎ ¼ºÀå½Ã´ë¸¦ ±¸°¡Çϰí ÀÖ´Ù. µð.. | |||
| ÅÂ±× : ÀÎÅͳÝ, ±â¼ú, ±â¾÷, ºí·çÅõ½º, ÈÞ´ëÆù | |||
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| 3. »çȸÀû »ó¡ÇàÀ§·Î¼ÀÇ Á¤Ä¡Àû ¹«ÀǽÄ-ÇÁ·¹µå¸¯ ..
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| ÇÁ·¹µå¸¯ Á¦ÀÓ½¼(Fredric Jameson)Àº ¿µ±¹ÀÇ Å׸® À̱ÛÅÏ(Terry Eagleton)À̳ª ¹Ì±¹ÀÇ ÇÁ·©Å© ·»Æ®¸®Å°¾Æ(Frank Lentricchia) µî ¸î ¾È µÇ´Â ¸¶¸£Å©½º °è¿ÀÇ ºñÆò°¡µé °¡¿îµ¥ °¡Àå ´ëÇ¥ÀûÀÎ ¹Ì±¹ÀÎ ºñÆò°¡ÀÌ´Ù. ±×ÀÇ ¹®ÇÐÀÇ ¡°Á¤Ä¡Àû ¹«Àǽġ±(political unconscious)Àº ¹«ÀǽÄÀû.. | |||
| ÅÂ±× : ´ã·Ð, Â÷ÀÌ, »çÀÌ, ¹®ÈÀû, ÄÚµå | |||
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| 4. ¿µ¹®ÇÐÀÇ Á¦¹®Á¦µé-·Îºê Æ÷ÇÁ
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| ºÐ¸íÇÑ °ÍÀº ¿µ¾î¿µ¹®ÇÐÀº ÇöÀç ¹ßÀüÀÇ ÇÙ½É ´Ü°è¿¡ µé¾î¼ ÀÖ´Ù´Â Á¡ÀÌ´Ù. ½ÇõºñÆò(practical criticism)°ú ½ÅºñÆò(new criticism)ÀÇ À̷мºÀÌ ´úÇÑ ºñÆòµé·ÎºÎÅÍ Æ÷½ºÆ®±¸Á¶ÁÖÀÇ(poststructuralism)¿Í Æ÷½ºÆ®¸ð´õ´ÏÁò(postmodernism)°ú °°Àº ÇÏÀÌÆÛ ÀÌ·Ð(hyper theories)¿¡ ÀÌ.. | |||
| ÅÂ±× : Rob Pope, ¿µ¹®ÇÐÀÇ Á¦¹®Á¦µé, ¶óÁ¾Çõ, ³ªÁ¾Çõ, ¸ÖƼÄÃ󷲸®Áò | |||
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| 5. ºô °ÔÀÌÃ÷ÀÇ ¸¶ÀÌÅ©·Î¼ÒÇÁÆ®»ç °æ¿µ
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| Áß±¹Àº 21¼¼±â¿¡ ´õ¿í´õ °³¹ß¿¡ ¹ÚÂ÷¸¦ °¡Çؼ ³Ê¹« ³Ê¹« ¹«¿ª¿¡ Àç¹Ì¸¦ ºÙ¿´°í ±×·¡¼ »ç»ç°Ç°Ç °³ÀÎ ¹®Á¦¿¡ ½Å°æÀ» ¾µ °Ü¸¦ÀÌ ¾ø¾ú´ø ±¹°¡ÀÌ´Ù. Àç¹ÌÀÖ´Â °ÍÀº °³ÀÎÀû Á÷¾÷¹®Á¦´Â ¿©ÀÚµé ¼Ò°üÀ̾ú´Ù°í ÇÑ´Ù. ¿µ±¹Àº ¿À·¯Å¬ÀÇ »ê¾÷Çõ¸í °¡´É¼ºÀÌ Å« ³ª¶óÀε¥ ³Ê¹« ÁöüÇÏ´Â °æÇâ.. | |||
| ÅÂ±× : ºô °ÔÀÌÃ÷, ¸¶ÀÌÅ©·Î¼ÒÇÁÆ®, ºñÁî´Ï½º¿Í »ý°¢ÀÇ ¼Ó, ºô °ÔÀÌÃ÷ ¿ë¾î | |||
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| 6. Emily Dickinson¡¯s Self-Exploitation toward Et..
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| The vision of Emily Dickinson¡¯s poetry is focused on the identification of man¡¯s relation with reality mainly in the pursuit of the meaning of death. The unique quality of her poetic vision is constituted through what I call self-exploitation, which is comp.. | |||
| ÅÂ±× : Emily Dickinson, Self, eternity, strategic poetics | |||
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| 7. SAP
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| SAP AG»ç´Â ¾ÇƼ¿£°ÔÁ©»þÇÁÆ®(Aktiengesellschaft) À¯ÇüÀÇ ÁÖ½Äȸ»çÀ̸ç, µî·Ï¹øÈ£ ISIN DE0007164600ÀÌ´Ù. 1972³â µ¶ÀÏ ¹ÙÀÎÇÏÀÓ(Weinheim)¿¡¼ ⸳µÇ¾ú´Ù. º»»ç´Â µ¶ÀÏ ¿ùµµÇÁ(¹ßµµ¸£ÇÁ, Walldorf)¿¡ ¼ÒÀçÇÑ´Ù. Çî´× Ä«°Å¸¸(Henning Kagermann)ÀÌ °øµ¿ CEOÀ̸ç, ·¹¿À ¾ÆÆ÷Å×Ä¿(.. | |||
| ÅÂ±× : SAP AG, SAP ERP, ¹ß·ÎµåÇÁ, ERP | |||
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| 8. ¿µ¹®ÇÐÀÇ Á¦¹®Á¦-·Îºê Æ÷ÇÁ
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| ºÐ¸íÇÑ °ÍÀº ¿µ¾î¿µ¹®ÇÐÀº ÇöÀç ¹ßÀüÀÇ ÇÙ½É ´Ü°è¿¡ µé¾î¼ ÀÖ´Ù´Â Á¡ÀÌ´Ù. ½ÇõºñÆò(practical criticism)°ú ½ÅºñÆò(new criticism)ÀÇ À̷мºÀÌ ´úÇÑ ºñÆòµé·ÎºÎÅÍ Æ÷½ºÆ®±¸Á¶ÁÖÀÇ(poststructuralism)¿Í Æ÷½ºÆ®¸ð´õ´ÏÁò(postmodernism)°ú °°Àº ÇÏÀÌÆÛ ÀÌ·Ð(hyper theories)¿¡ ÀÌ.. | |||
| ÅÂ±× : ·Îºê Æ÷ÇÁ, ¿µ¹®ÇÐ, ¿µ¾î, ¹®È·Ð, ¸ÖƼÄÃ󷲸®Áò | |||
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| 9. Æú Å©·ç±×¸Õ-´ëÆø·Î
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| Æú Å©·ç±×¸ÕÀº ¹Ì±¹ °æÁ¦ÀÇ ÃÖ´ë ½ÇÆÐ¿äÀÎÀº ³·Àº »ý»ê¼ºÀÇ Áõ°¡¼¼¿¡ ÀÖ´Ù°í ÁöÀûÇÑ´Ù. 8³â ÀÓ±âÀÇ ºÎ½Ã ´ëÅë·É ÀçÀӱⰣÀº ¹Ì·¡¿¡ ´ëÇÑ ¿À·£ ±â°£ÀÇ ±¹°¡Àû ¾Ç¸ùÀ̾ú´Ù°í ¸»Çصµ °ú¾ðÀÌ ¾Æ´Ï´Ù. ÇϹöµå ¹ý·ü´ëÇпøÀÇ Á¹¾÷»ýÀÌ¶óµµ ºÎ½ÃÀÇ ¹Ì·¡¿¡ ´ëÇÑ ±¹°¡Àû ¾Ç¸ùÀ» ºÒ½Ä½ÃŰÁö´Â.. | |||
| ÅÂ±× : Æú Å©·ç±×¸Õ, ´ëÆø·Î, ¹Ì±¹°æÁ¦, Çѱ¹°æÁ¦, ÀÌÁßÇϰ | |||
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| 10. ÇѹÌÀÏÀÇ °æ¿µ ½ºÅ¸ÀÏ
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| °æ¿µÇÐÀÇ ´ëºÎ¶ó°í ÀÏÄ´ ÇÇÅÍ µå·¯Ä¿°¡ 2005³â 11¿ù¿¡ »ç¸ÁÇÑ ÀÌÈÄ·Î ¹Ì±¹ÀÇ °æ¿µÇÐÀº Àü·«°æ¿µ(strategic management)¿¡¼ Çõ½Å°æ¿µ(innovative management)À¸·ÎÀÇ º¯È¸¦ ¸ð»öÇϰí ÀÖ´Â ½ÃÁ¡ÀÌ´Ù. ±×·³¿¡µµ ¹Ì±¹ÀÇ °æ¿µÇаú ½ÇÁ¦ °æ¿µÀº Àü·«°æ¿µÀ̶ó°í Á¤ÀÇµÇ¸ç º¸½ºÅÏ ÄÁ¼³.. | |||
| ÅÂ±× : ½Ã½ºÅ۰濵, Àü·«°æ¿µ, ÆÄ¿ö°æ¿µ, Áö¸¸¿ø, ³ªÁ¾Çõ, BCG | |||
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